View from the skull, Galerie Dukan, Paris (2014)

Particularly relating to multilateral changes between the permanent and transient, the living in the dead, beautiful in the ugly, taking place in space it is dominated by ubiquitous time. Common, sometimes seemingly simple scenes bring intricate intertwining of different shapes, which often turn over their original meaning into the opposite. Everyday events under the gaze of Masker receive a mythical form. Persistent ideas that emerged from somewhere in the human unconscious, interfere with the contemporary. The favorite bike path through the woods (On bike through the woods, 2014), grows into unexpected drama.

– Karel Srp